600 hours & 17 fineliner pens

I am almost in a position to unveil my latest piece. Very excited about presenting this one as it turned out to be my most meticulous creative undertaking to date. 

Teaser showing an abstract detail:

Horse head plaster cast study

I have just got back from my annual break in Valladolid, located in the heart of Castilla, Spain. Whilst there, I stumbled upon a separate part of the Museo Nacional de Escultura (National Sculpture Museum) that I was previously unaware of. Known as ‘Casa Del Sol’, this additional building is located less than a couple of hundred meters from the main museum. It houses a permanent collection of outstanding plaster cast copies of well-known classical sculptures, all on display in one epic grand hall: 

What a fantastic coincidence that I discovered this place when I did, as I had recently been itching to execute some meticulous drawings in an academic manor akin to what would be produced within an atelier curriculum (traditional ‘master and apprentice’ system of art instruction). In fact, I had been keeping an eye out for classical plaster copies to draw from for some time, but to no avail. Now I found myself completely overwhelmed by choice!

Having sought permission from the museum, I set about producing a precise study of a compelling horse head, cast in 1944 by Sánchez Aspe. I believe the original was sculpted in the 5th century BC in Lanuvio, Italy. There is a good chance that the original is currently in storage within the vaults of the Bristish Museum, but I have not been able to verify this.

Although I was immediately excited by the vivid presence of this sculpture, I was determined to remain focused and level-headed. My sole aim was to work in a purely objective and truthful way that was devoid of emotion. Essentially, I wanted to mitigate any subconscious embellishments creeping into the work. It helped to mentally reaffirm to myself at regular intervals that this was to be a 'cold' exercise in visual accuracy. Nothing more.

The finished drawing took about 16 hours in total, spread over the course of a week:

To be able to draw this beautiful cast directly under such a dramatic and constant light source was a rare and privileged experience. The museum staff were very accommodating and were kind enough to provide me with a small foldable stall throughout the time I was there:

Casa Del Sol will now be a guaranteed fixture on all my future excursions to Valladolid and I am looking forward to producing more cast studies over the coming years.

'The Cylical Return' at the RWA Open Exhibition

It was a real pleasure to be a part of the Annual Open Exhibition at The Royal West of England Academy for the second year running. The standard of work was characteristically high and I felt honored to have shown alongside high profile artists, including Sir Peter Blake and HRH The Prince of Wales. 

Here are a few shots of my work hanging at the show in the Methuen Gallery:

It was the perfect way to finish off the year and I would like to thank everyone who came out to see the exhibition.

The RWA '162nd Annual Open Exhibition'

I am delighted to announce that I have been selected to show at the RWA Annual Open exhibition for the second year running. Exhibition runs from 12th Oct - 7th Dec:

The Royal West of England Academy, Queen's Road, Clifton, Bristol, BS8 1PX. Click here for more information.

Sketchbook study

Recent life drawing sketches

As the weekly life drawing sessions that I attend have now finished up for the summer, I thought I would post a couple of better sketches from the past term;

'The Cyclical Return'

Fineliner pen on Somerset paper 60 x 79cm